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Iris Williams,Metropolitan Room 

 

10/6/2013

 

 

By Rob Lester

 

Like the Halley’s Comet of cabaret, Iris Williams is making rare New York City appearances this fall. The decades of experience show and shine like her sequined gown. You can catch this illuminated streak of glowing glory on Sunday, October 20 at Metropolitan Room. Crisply elegant and regal, Iris

Williams can be a bit folksy, too. She’s a class act with the voice of warm brandy which envelops the room in her low-key, no-fussiness way. She knows her way around a ballad and its cozy corners. The diamond-perfect, refined (yet drenched with emotion) “He Was Beautiful” is the highlight of the show; her just celebrated recording of this theme from The Deer Hunter holds up wonderfully and holds its head high. Haunting and hushed, it’s hypnotic and a bit exotic. Much of the Welsh-born contralto’s program is made up of time-tested standards. She goes through her paces with an occasional change-of-pace moment.

The Williams entrenched aura of sophistication is given relief by (or is somehow refreshingly at odds with?) some seemingly casual, but maybe studied and well-honed, quips. Likewise, her ultra-brisk version of “Ol’ Man River” comes as an odd shock of caffeine from that warm brandy. Perhaps she’s assuming everyone in her audiences is music-savvy, but she chooses not to acknowledge that both this and a number sung close to its spot (“Bill”) are both from Show Boat. I also noted that in a long section of Nat King Cole evergreens, she doesn’t set it up clearly as such and never refers to him by his full name. So, those with less page turning in the Great American Songbook might not be clued in. Did she feel it unnecessary, thinking , that Nat-urally, everyone would have the reference points. Certainly her version of “Mona Lisa” was treated with intelligence and welcome seriousness.

One feels she and we are in safe, professional hands (OK, maybe too “safe”) with this true lady and her chosen musicians: pianist Art Weiss, percussionist Jeff Pillinger and the always tasty Tom Hubbard on bass. Still, it feels like an honor to be in her specific presence and this appreciated example of an old-school pro of a performer who knows her craft, fore and aft.

RESERVATIONS: www.metropolitanroom.com  212-206-0440  address: 34 West 22 St., NYC

 

 

Iris Williams Metropolitan review by Nitelite reviewer

Joe Regan October 7th 2013

 

Iris Williams, the Wales born lush contralto whose last New York appearance was years ago at the Algonquin’s Oak Room, made a sensational return to a capacity crowd at the Metropolitan Room October 5.  Her New York musicians were top-rate:  Art Weiss, her music director on piano, Tom Hubbard on bass, and Jeff Pillinger on percussion and drums.  Clad in a stunning tight red dress all she had to do was enter and the crowd, which included Morgan Freeman, went crazy.  Her opening number was a jazzy “Just In Time.”

She gave us a bit of her history.  She was born in Wales and is one of the Wales natives to receive the O.B.E. (Order of British Empire.)  Others are Anthony Hopkins and Tom Jones.  She began singing in church choirs.  She was given the O.B.E. by Queen Elizabeth II.  She got a big laugh by prolonging a pause before she said “the second.”  She discussed how, when she was booked to sing on a cruise ship run by natives of India, the receptionist on the ship thought her name was Williams-Obe.  When she tried to correct her, the lady said oh, it stands for “on board entertainer!”

Her second number was a complete version of Rodgers & Hart’s “Bewitched” and one wondered if she had ever played that part on the stage.  Her acting and vocal phrasing were superb!

She recalled her last engagement at the Oak Room when cabaret great Sylvia Sims would come every night and order her how to improve her act.  Sims ordered her to sing a song! 
She learned it: “Like Someone In Love.”

One of the special attractions of the act is a series of  Nat King Cole songs.  It begins with “Unforgettable” with special lyrics referring to Cole, and then she does a stunning and moving “Nature Boy.”  After a bouncing version of “Paper Moon” she tells us about a movie song that was rejected by Vic Damone, Tony Martin, and Perry Como.  Nat King Cole had the taste to record it and it won the Academy Award.  Her version of “Mona Lisa” was a magnificent!  The last Cole selection was “Straighten Up and Fly Right” which she rocked into a sing-along with the audience on the chorus.

Williams’ contact with her audience is extraordinary…she sings directly to several members and has a wonderful way of conversing with them between sets, joking about drinks and where they come from.  She discusses her marriages, both disasters, but she does have a wonderful son from one union.  Then she sang a song she sang for Prince Charles at the opening of a rehearsal hall at her alma mater The Royal Welsh College of Music and Drama.  It was a gorgeous version of  “The Rose.”  Her next ballad was “Sophisticated Lady” and her voice glided over that Ellington, again giving a full acting performance embracing every word and note of that sad standard.  Immediately she swung into one great chorus of “I’m Gonna Live Till I Die” which she told us was written as a serious ballad!

The love theme from the Academy Award winning “Deer Hunter” movie,  “He Was Beautiful,” was written by Cleo Laine and Stanley Myers but Williams’ recording of it was the biggest hit in the UK and led her to perform at 14 Royal Performances.  I don’t remember this song but I expect it was the background theme during the great romantic scene between Meryl Streep and Robert DiNero when they were walking and she was looking at him with amazing emotions of love on her face.  Williams’ version tonight was a thing of beauty.
This is a forgotten treasure.

A Piaf section began with a beautiful “Under the Bridges of Paris” sung in impeccable French.  Then, with only Weiss’ simple piano behind her, she wistfully sang “La Vie en Rose” first in French, then in English and only on the last chorus did the rest of the band join her for a big finish!

She did a surprising rock version of “Ol’ Man River” but then, standing in the crook of the piano, a tender and moving “Bill” again causing one to wonder if she had ever played Julie in “Show Boat.”

In 2000 she was selected to perform at the White House celebration of its anniversary and Queen Elizabeth II and Prince Phillip were honored guests.  There was an amusing anecdote about an unexpected sight during the tour which was in the Ford letter she was selected to read.  And the payoff was when President Ford was doing the first dance with the Queen.  The band played “The Lady Is A Tramp!”  Of course, Williams sang that number equaling Lena Horne’s classic version!

During “If I Ruled the World” she acknowledged her thanks to everyone including Freeman and her technicians.   But the crowd wouldn’t let her leave so she returned for a tribute song to Mabel Mercer.  In 2002 in UK a BBC television special starring Williams was broadcast:  “Iris Williams Echoes the Life of Mabel Mercer.  Williams’ song was a very sensitive “My Shining Hour.”

Iris Williams is all class and you owe it to yourself to see this great lady who has lost not a bit of her voice which was championed by Stephen Holden and Rex Reed when she played the Algonquin over 20 years ago.  Williams’ spontaneous patter is rare on the cabaret stage and you‘ll find yourself loving her for it!

Iris Williams repeats at the Metropolitan Room, 34 West 22 Street, and October 20 at 9:30 PM.  Phone (212) 206-0440.  Given the sold out crowd reservations are a must!

- Joe Regan Jr.- on October 7, 2013.

 

 

 

 

 

 

Interest grows into Welsh banking's 'best kept secret'

   

Noel Titheradge
BBC Wales news

 

Throughout her music career and charity work, singer Iris Williams has never forgotten her ties to the Welsh community she grew up in.
Raised in a south Wales children's home, Ms Williams has long promoted the work of community credit unions.
Now she will perform a concert to raise money for the Rhydyfelin credit union on Friday 14 May - more than 20 years after she opened it.

 
Iris Williams returns to the project she helped launch
more than 20 years ago
 
       

 

 

 

                                                      


Iris Williams O.B.E. - On the New Year's Honours List 2004,
H.M. the Queen awarded Iris Williams an O.B.E. for her
contributions in the field of music and for her service to charitable
institutions around the world.


What the New York critics are saying about IRIS WILLIAMS…

 

Ms. Williams has one of the most striking voices in all of cabaret, a lush dark contralto with a buzz of a vibrato that is an aural tonic. Even the slangiest numbers are translated into semi-art songs.  In her most eloquent moments, she stirs up echoes of vocal legends like Marian Anderson and Kathleen Ferrier. In the strongest numbers the sheer beauty of her voice took over and lit a steady emotional fire.

                                                Stephen Holden, New York Times

 

Iris Williams is back, with impeccable taste and elegant phrasing, in a voice that suggests a cross between Marian Anderson and Nina Simone. Astonishing depths of passion that runs the gamut from playful to arty to dreamy.  Make no mistake, she’s a classy lady with a stylish approach to singing classic theater songs.  In her company there is much pleasure to be shared by all.

                                                Rex Reed, New York Observer

 

A voice that seems to be made out of the rich soil of her Wales homeland.  Her mezzo is warm and she has a vibrato that suggests caverns of feelings.

                                                David Finkle, Backstage

 

Delightful and charming.

                                                Lesley Alexander, WRTN/WVOX Radio

 

In this world when luxury is quickly losing its luster and class has become just another five letter word with questionable meaning, Iris Williams recreates the magic and elegance of the cabaret era. Williams’ voice is a cultured mezzo, intoned with a subtlety and sensitivity that makes one feel that you are hearing the lyric for the first time.  I’ve seen few performances in the past few years that equal Iris Williams.

                                                Jay Walman, WEVD Radio